“Because I had hair on my arms and a low speaking voice,” said Anthony, “the opera people said that maybe I had gone through puberty and was a countertenor.” [Click here to see my complete interview with Anthony on HuffingtonPost]
Six years ago, there was a brief story on local broadcast news about a pelican that had stopped traffic on the Golden Gate Bridge. Turns out, she was a minor and starving…. (Click on the photo to see my complete interview with Judy Irving on HuffingtonPost)
Partenope is a precursor to Cosi fan tutte, says Phil. “I’m kind-of her best friend, a sexually repressed individual that hasn’t come out of the closet.” [Click on the photo to see my complete interview with Philippe Sly on HuffingtonPost.com]
What’s the best film for getting acquainted with Hollywood soprano Jeanette MacDonald? Click on the photo to find my answer on YouTube. My first encounter with Jeanette MacDonald was through a local broadcast of MGM’s major box office hit from 1936, San Francisco. It’s been a long-term affair ever since – with both her and […]
Verdi’s A Masked Ball, now at San Francisco Opera through October 22, is a scary enterprise. The production, last seen in 2006, is looking stale and funky and the stodgy staging by Jose Maria Condemi and silly bits of choreography by Lawrence Pech beyond rescue…. [Click here to read my complete review on Examiner.com] Click […]
Just when I thought I could answer any trivia question on the 1939 production of Gone with the Wind, comes a treasure of new material in Steve Wilson’s book, The Making of Gone with the Wind. It is the companion piece to an exhibit now at the Harry Ransom Center at the University of Texas […]
“I won the Metropolitan Opera Competition in 2003. From the time I won it to the time I came back as a principal artist was ten years. This is rarely easy for anybody….” Click here to read the full interview on HuffingtonPost.com
Ann Blyth enters as the youngest in our series, Ladies of the Nightclubs. As Veda in the 1945 production of Mildred Pierce starring Joan Crawford, Ann was assigned a familiar rag from 1911, “Oceana Roll” – lyrics by Roger Lewis, music by Lucien Denni. By the time filming began at Warner Brothers Studios, the song […]
“I’ve wanted to record these two concerti for a very long time,” said Stewart. “I created the opportunity – there was no label assigned to it. It all started with an e-mail…. [Click here to read the full article on HuffingtonPost.com]
“The scary thing about Stanley,” says Tom, “is not that he hits Stella all the time, but that you never know when he’s going to hit her. You never know what’s going to set him off.” “This is opera,” says Julie. “There are going to be some differences from the movie. This is Previn’s idea, […]